Art Deco sculpture woman with spear. - Deconamic - Recent Added Items

Painting Pour un soir.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting Regarde moi.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting Le plus beau jour.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting La Tresse.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting La Discrète.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Painting Femme Fatale

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Pair of paintings Violette & Capucine.

Frédérique Tristant is a French artist born in Vannes in 1971, who lives and works in Brittany in Morbihan. In gallery since 2018, Frédérique TRISTANT is both a specialist in semiotics, holder of a doctorate from the University of Bordeaux, and a painter whose training has been validated by a CAPES. This dual training permeates her work, offering beyond its graphic aspect, a reflection on the nature of representation resulting from the university course on the image of bodies through the tools of reproduction (photographs, videos) and investigation scientific (radiology, scanner, MRI etc.). From this reflection, she seeks the limit, the tension between the physical reality of skins and bodies and the dreamlike vision offered by representation: subtle recreation of this reality in a two-dimensional space materialized by a few pictorial layers finer than the epidermis. She explains: “As in my research on the first photographic atlas of dermatology by Dr. Hardy and Montmeja in 1868, I retouch each portrait with watercolor and acrylic paint. I appropriate a physiognomy that I reshape and remake as I wish. I refine my masks which tell women's stories like the diary of our melancholy, our absences and our sensuality”

Art Nouveau bronze frame with bird and pinecones.

The dictionary of sculptors in bronze, James Mackay. Antique collectors club. Benezit, Dictionary of artists, Gründ.

Art Nouveau bronze lamp with lady.

Etains 1900, Philippe Dahan. Les editions de l’amateur. The dictionary of sculptors in bronze, James Mackay. Antique collectors club. Bronzes, sculptors and founders, H. Berman, Abage.

Art Deco sculpture woman with spear.

Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, Jean Charles Hachet. Argus Valentines.

Art Deco bronze sculpture athlete with bow.

Bronzes, sculptors and founders by H. Berman, Abage. Art Deco sculpture by Victor Arwas, Academy. Art Deco and other figures by Brian Catley, Antique collectors club. Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs by E. Benezit. Gründ. The dictionary of sculptors in bronze by James Mackay. Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours by Jean Charles Hachet. Argus Valentines.

Art Deco sculpture nude disc dancer.

Statuettes of the Art Deco period, Alberto Shayo.


Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, Jean Charles Hachet. Argus Valentines.

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